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Second Year -
The work moves into advanced improvisational work, character and script analysis of more complex and emotional modern texts, and investigates the specific problems of various styles through practical work on Shakespeare and other classical playwrights. Classes in fencing and Stage Combat, jazz movement, musical theatre, Alexander Technique, advanced speech/voice and acting for the camera support these investigations.

The first presentation takes place in February and is presented to friends and family. It represents materials from the Singing and Movement classes.

In the spring of the second year, the students prepare the Annual Showcase. In this showcase, the students serve as writers, producers, and performers in the presentation of short audition material for professional agents, managers, directors, and casting diretors as a way of introducing themselves to the professional entertainment world.

The second year culminates in the application of performance techniques in a public presentation. Programs vary from scene nights to one-act plays to three-act plays and are rehearsed from three to six weeks. Each of the productions is costumed and the stage sets built by students under professional designers.

Acting Techniques II Practice Lab
(414 hours)

Advanced improvisational technique, interpretation and characterization applied in scenes and plays, and performace techniques. Scenes and plays, classic and modern, covering a variety of styles are studied and/or rehearsed from three to five weeks.

Rehearsal and Performance
(120 hours)

Culmination of training under the direction and guidance of a professional director resulting in a public performance.

Script and Style
(24 hours)

Investigation of historical theatre style through scripts and videotaped performances, providing the actor with examples of practical solutions to style and character problems.

Acting Shakespeare
(41 hours)

The special problems inherent in dealing with performances in Shakespeare verse as it relates to the young actor.

Voice and Speech II
(103 hours)

Advanced training, including the speaking of classical drama and poetry, with special attention to the problems of meter and meaning in Shakespeare.

Singing Technique II
(156 hours)

Continued investigation of singing technique with the emphasis on solo preparation and interpretation. Rehearsal leading to presentation of singing performance work. Audition techniques for the musical theatre.

Jazz Dance
(90 hours)

The objective of the course is to add another dimension to the student's training in movement with techniques which would apply to contemporary musical theatre.

Ballet II
(90 hours)

Continued preparation of the body as an expressive instrument with the addition of character, style and more dramatic elements.

Stage Combat
(52 hours)

Techniques for unarmed combat in physical acting class. Single rapier Technique.

Make-up
(12 hours)

Basic technique of theatrical make-up.

Acting for the Camera
(30 hours)

An introduction to the basics of film and television.

Professional Preparation
In addition to the regular classes, the Second Year students are mentored and advised by professional guests and the faculty, in the areas of marketing, auditions, showcases and other techniques related to seeking employment in the various fields of theatre, film and television.

Curriculum -- Certificate Program
Second Year

Acting Techniques: 414 hours
Rehearsal and Performance: 120 hours
Script and Style: 24 hours
Acting Shakespeare: 41 hours
Voice and Speech: 103 hours
Singing Technique: 156 hours
Jazz Dance: 90 hours
Ballet: 90 hours
Stage Combat: 52 hours
Make-up: 12 hours
Alexander Technique: 78 hours
Acting for the Camera: 30 hours
Second Year Total: (32 weeks) 1,210 hours

Total in Two Year Program: (64 weeks) 2,220 hours


Dylan McDermott

1985: The Long Goodbye

Asleep on the Wind

Performed by Brandon Malone & Catharina Cavalli

Flowers For Kim

Written & Performed by Robin Mervin & Jonathan Wilde

Ron Stetson

Teaching acting

At the Playhouse...

Eli Wallach, Anne Jackson, Tony Randall & Marian Seldes

Acting For The Camera

Taught by John Gallagher

Back Bog Beast Bait by Sam Shepard

Performed by the 1986 class

Richard Pinter

Teaching Acting

Robert Duvall (far left student)

Listening to Sanford Meisner teaching

2002 Industry Night

2nd year students performing for agents and managers

Martha Graham

1932: Teaching Modern Dance at the Playhouse

Helen Hansen

Teaching Modern Dance

Sydney Pollack (center)

1954: The Long Goodbye

Jane Kosminsky

Teaching the Alexander Technique


Copyright © The Neighborhood Playhouse 2008